San Diego Artist: Perry Vasquez, Part 1

(Originally published in the San Diego Union-Tribune March, 2012)

Yesterday I posted about Alexander Jarman, who is curating a show at the Southwestern College Art Gallery called More Real Than Life: An Exhibition of Contemporary Collage.

Today I’m focusing on Perry Vasquez, the gallery director, and artist in his own right.

Perry was nice enough to let me come to the Southwestern College Art Gallery to see the show coming together. It’s great to go see a show on opening night and view all the pieces, plumped up in the perfect light and showing off their party dresses, but there is something altogether fascinating to me about getting a behind-the-scenes look at the parts that make up the finished show. The nitty gritty, if you will. It’s enough to whet your appetite and make you hungry for opening night.

I’ve got another video coming of Perry, which I hope to post early next week, that focuses on his own work. The following video is a sneak peak into the upcoming exhibition, More Real Than Life.

SHOW DETAILS:

Thursday, March 8: Opening
Artist Talk for Students and Staff: 12 p.m., Reception 11-1
Public Reception: 6-10 p.m. Artist Talk 7-7:30 p.m.
Light refreshments provided

Southwestern College is located at 900 Otay Lakes Road in Chula Vista, California. Gallery hours are Monday-Thursday, 9-5

Exhibiting Artists:

Sadie Barnette, Based in San Diego, CA.
Mike Calway-Fagen, Based in San Diego, CA.
Troy Dugas, Based in Lafayette, Louisiana.
Lola Dupre, Based in Avignon, France.
Chris Kardambikis, Based in San Diego, CA.
Gordon Magnin, Based in Los Angeles, CA.
Morgan Manduley, Based in San Diego, CA.
May-ling Martinez, Based in San Diego, CA.
Arturo Medrano, Based in New York City, NY.
Jason Sherry, Based in San Diego, CA.
Joshua Tonies, Based in San Diego, CA.

San Diego Artist: Alexander Jarman


(Originally published in the San Diego Union-Tribune March, 2012)

Alexander Jarman shows me his studio. He wears a tie and a sweater. His manner is quiet and professional and perhaps a bit reserved. At least until you get him talking about something he cares about: Art. Then, his face lights up and he becomes someone you’d like to pull a chair up closer to, and drink great coffee with, while he explains how William S. Burroughs and the dadaists were collage artists.

I got to experience one of Alexander’s projects he did with his sister and fellow artist, Savannah Jarman, called the Picnic Project. The Jarmans collected fabric and created a 1000ft picnic blanket, which debuted at last year’s Art Labs during the San Diego Art Fair.

Alexander’s studio is small and cozy. He’s a collage artist, so piles of snipped papers are everywhere. It’s a bit of a treat for your eyes, these pieces he puts together. Colors, images, shapes and logos you recognize, cut, arranged and glued together in new ways.

Alexander is curating a show at the Southwestern College Art Gallery which opens this Thursday night, March 8th (details below the video): More Real Than Life, An Exhibition of Contemporary Collage.

Thursday, March 8: Opening
Artist Talk for Students and Staff: 12 p.m., Reception 11-1
Public Reception: 6-10 p.m. Artist Talk 7-7:30 p.m.
Light refreshments provided

Southwestern College is located at 900 Otay Lakes Road in Chula Vista, California. Gallery hours are Monday-Thursday, 9-5

Exhibiting Artists:

Sadie Barnette, Based in San Diego, CA.
Mike Calway-Fagen, Based in San Diego, CA.
Troy Dugas, Based in Lafayette, Louisiana.
Lola Dupre, Based in Avignon, France.
Chris Kardambikis, Based in San Diego, CA.
Gordon Magnin, Based in Los Angeles, CA.
Morgan Manduley, Based in San Diego, CA.
May-ling Martinez, Based in San Diego, CA.
Arturo Medrano, Based in New York City, NY.
Jason Sherry, Based in San Diego, CA.
Joshua Tonies, Based in San Diego, CA.

3 Comp Pans from Saturday Night

I have a soft spot for panoramic views and I took a few series of shots to create some the other night at La Jolla Cove. There are photo stitching programs out there to remove the harsh edges of comps and help unify the exposure and tone, but I really like the differences and choose not to use them, leaving things au naturale. Click on each to see the larger size.

Golden Tree at Dusk or Let in the Light

When the sun gracefully bends down in the sky to about here

the most beautiful thing happens off my balcony. Before I show you that, let me back up in time just a bit.

When we first moved into this little condo about a year ago, we were in the middle of some very stressful family things. We were distracted and heavy with Life and it was such a stroke of Universe (can I use “Universe” that way? Yes? Good.) that Joe’s aunts owned a place that was becoming available right when we needed it. It made the entire process of trying to find a place so much easier. We just slipped in quietly.

I remember when we walked through, checking out the closet space and shower, looking off the balcony and thinking, yes, this will work. The balcony faced the busy street, but was insulated by large and leafy mature trees. The sound was muffled. You could hardly see the cars whiz by. There were flower scents heavy in the air and hummingbirds flitting around. I thought, as long as there are these trees here, I can stay here. I enjoyed the shade and comfort of those trees every morning and every evening. They created a little nest for me. Quiet, solitary.

Fast forward through time, because we can, to late summer, early fall. Perhaps September? One morning I woke to the sound of a chainsaw. Looking out the window, I saw men in orange vests suspended above ground, deep into my trees, chopping off bits here and there and large branches right in the center of the best, fullest tree, the one I’d come to count on as a buffer to the world. I was devastated.

The next day, as I drank my coffee and glared at the empty spot where the branches used to be and where now nothing but a barren trunk stood, I wished we could move. Immediately. I hated the cars driving by. I hated the increased dust that flew up to the balcony and into the house. I felt betrayed. I spent a lot of time not looking out the balcony doors.

Fast forwarding through time again, somewhere in late November, I noticed some green bits had sprung from the trunk. They were tiny bits of things, nothing like their majestic predecessors, but there they were, all the same. Green and alive and making themselves known. I was begrudgingly impressed with their will to live, but very slow to warm up to them. And then dusk happened.

I sat with my cup of tea and couldn’t tear my eyes away. The honey dripping light blazed the bark to a glow that almost made me cry, but to be fair, I’ve always been a sucker for yellows and browns. The color turned dark amber, and then within seconds, was gone. I didn’t realize I’d been holding my breath.

The days were short and the Dusk Tree glow lasted for approximately 47 seconds every evening around 4:30. I couldn’t wait and found myself finding reasons to be hanging around the balcony, waiting to see the light show. I busied myself at dusting the cd cases or talking to the houseplants. My Prayer plant (Maranta leuconeura erythroneura) Gracie, (who has always refused to do what she’s supposed to do: pray), and I have historically found ourselves at odds when it comes to air temperature. She’s a picky little thing, wanting no breeze whatsoever, while I prefer a nice flow through the house. We had a lot to talk about.

One particular evening, as the sun dipped low to right above the ocean, Gracie shushed me quiet and began to fold her leaves, doing exactly the thing that her genera is meant to do. The tree outside glowed amber and Gracie, one by one, brought each leaf up and tucked it away. I was quiet, of course, and meditated in my own way.

Early the next morning, I crept out to watch Gracie unfold and welcome the sun. The tree outside was not just a Golden Dusk Tree, it was also a beautiful Back-lit Green Glowing Tree in the morning. I sat on the couch with my coffee and pointed out to Joe how beautiful the light was just then. Yes, he said. No more words were required. Although, at this point, he might argue that me pointing out how beautiful the light is every morning and every night might be more words than are necessary.

Here is a composite of “our” tree:

Remission

Take me to the beach, I whispered, silky soft in his ear.
He wrapped me in his warmth beneath the covers.
I need to see the waves in every shade of green and blue and frothy white, I told his mind without uttering a sound.
He padded down the hall, got his sandals, keys.

We drove five miles, wind whistling through the vent, the heater waking up.
Ocean water swirled and raced, bubbled, then calmed and went away.
Surfers danced on ten foot waves through the pilings, praying their religion under the pier.
We watched.

Grit between my toes, pulling my sweater close, I took a breath and then another.
He took my hand, pointed out evidence of birds, busy as on every other day, beaking mites from the sand.
Today is different, I told them as we walked. Today I’m in remission.
The wind whipped my words away before they heard me.
They wouldn’t care, even if they knew.

We went for eggs, forked avocado and endless coffee.
Across the table, he smiled, wrapping me in the warmth of his eyes.
I smiled back.

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Alexandra, 21

You’ll find this shocking, but Alex used to be 13, 14, 15, then 16, and 18. Now she is a ripe, old 21, a junior in college and graduating early, dating a guy named Ryan, who we happen to love, and really coming into her own.

True Love

Something caught my eye. I looked up and to the right and saw a woman in her late forties trying to help her aging mom down the stadium steps. Her mother was petrified. She was shaking her head no and holding on to the safety banister for dear life. The daughter pulled her mother’s arms, trying to get her to budge.

It was her feet. I couldn’t stop looking at her feet. Pink Keds with white laces folded around white ankle socks. The way the foot tapped around looking for some safe place to be, the feet of someone older, someone less steady. I saw Grandma Jean in those feet.

Joe turned to me and asked, “Should I help?” “Yes! Do it now!” I replied.

I remembered how Grandma Jean had been scared to fall. How Joe and his aunts and uncles had at first helped her move from chair to walker, walker to car. One person in front, one on the side and someone in back so she would feel safe. Then it was chair to walker to bed. And then there wasn’t a lot of moving anywhere anymore.

I heard the older woman murmuring in a small voice and I wondered if she had dementia. Something about how she didn’t seem to recognize her daughter or the place or what they were doing. She was just afraid to the exclusion of everything else.

I thought about my dad. His dementia has made it nearly impossible to carry on a phone conversation. I miss him. I miss the old him that would get into a lively discussion about pretty much anything and told the corniest jokes in the universe. The kind that made you groan so deep you could cause an earthquake. I love this latest version of him, this softer, gentler version, I will always love however he is, but I hate the disease that makes him unsure of how to speak to someone in case he just asked that question a minute ago or makes him forget who those nice people are in his home, my kids. I hate the uncertainty on his face knowing he’s worried on the inside and aware enough to feel scared or stupid or ashamed.

In an instant Joe jumped up and went behind the older woman, grasping her around the waist and telling her in her ear, “I’ve got you. I’ve got you. You won’t fall. I’ve got you.” And I watched my husband help support her weight and walk her down those steps to sit by her husband, who this entire time had been standing in the row, waiting for his wife, with a look of frustration and love on his face, having been told to stay put by the daughter, realizing his older body wasn’t going to be of much help getting his wife down the stairs, but being unable to sit down and relax until she was next to him, his fists clenching and unclenching.

It was awkward, that walking down the steps all together, the daughter in front showing her mom the way and Joe in back supporting her weight. They jerked down one step at a time. People were starting to stare. Joe kept encouraging her, never stopped talking in her ear. Slowly the procession made it to the row and there was profuse thanks from the daughter and her father to Joe as they all sat down.

I was overcome with so many feelings and started to weep a little. I saw Grandma Jean, my dad, myself in 40 years, and even Phyllis who was loved by everyone but especially her family, just as this woman was.

And I fell deeply in love with my husband all over again.

Boo!

Adorable Ghost Snow Dude created by Tony. GSD is our only Halloween decoration, as I dislike Halloween with the heat of a thousand suns. But when your son makes you an adorable Ghost Snow Dude, well, what can I say. My tiny, shriveled Halloween heart grew three sizes that day.