San Diego Artist: Perry Vasquez, Part 1

(Originally published in the San Diego Union-Tribune March, 2012)

Yesterday I posted about Alexander Jarman, who is curating a show at the Southwestern College Art Gallery called More Real Than Life: An Exhibition of Contemporary Collage.

Today I’m focusing on Perry Vasquez, the gallery director, and artist in his own right.

Perry was nice enough to let me come to the Southwestern College Art Gallery to see the show coming together. It’s great to go see a show on opening night and view all the pieces, plumped up in the perfect light and showing off their party dresses, but there is something altogether fascinating to me about getting a behind-the-scenes look at the parts that make up the finished show. The nitty gritty, if you will. It’s enough to whet your appetite and make you hungry for opening night.

I’ve got another video coming of Perry, which I hope to post early next week, that focuses on his own work. The following video is a sneak peak into the upcoming exhibition, More Real Than Life.

SHOW DETAILS:

Thursday, March 8: Opening
Artist Talk for Students and Staff: 12 p.m., Reception 11-1
Public Reception: 6-10 p.m. Artist Talk 7-7:30 p.m.
Light refreshments provided

Southwestern College is located at 900 Otay Lakes Road in Chula Vista, California. Gallery hours are Monday-Thursday, 9-5

Exhibiting Artists:

Sadie Barnette, Based in San Diego, CA.
Mike Calway-Fagen, Based in San Diego, CA.
Troy Dugas, Based in Lafayette, Louisiana.
Lola Dupre, Based in Avignon, France.
Chris Kardambikis, Based in San Diego, CA.
Gordon Magnin, Based in Los Angeles, CA.
Morgan Manduley, Based in San Diego, CA.
May-ling Martinez, Based in San Diego, CA.
Arturo Medrano, Based in New York City, NY.
Jason Sherry, Based in San Diego, CA.
Joshua Tonies, Based in San Diego, CA.

San Diego Artist: Alexander Jarman


(Originally published in the San Diego Union-Tribune March, 2012)

Alexander Jarman shows me his studio. He wears a tie and a sweater. His manner is quiet and professional and perhaps a bit reserved. At least until you get him talking about something he cares about: Art. Then, his face lights up and he becomes someone you’d like to pull a chair up closer to, and drink great coffee with, while he explains how William S. Burroughs and the dadaists were collage artists.

I got to experience one of Alexander’s projects he did with his sister and fellow artist, Savannah Jarman, called the Picnic Project. The Jarmans collected fabric and created a 1000ft picnic blanket, which debuted at last year’s Art Labs during the San Diego Art Fair.

Alexander’s studio is small and cozy. He’s a collage artist, so piles of snipped papers are everywhere. It’s a bit of a treat for your eyes, these pieces he puts together. Colors, images, shapes and logos you recognize, cut, arranged and glued together in new ways.

Alexander is curating a show at the Southwestern College Art Gallery which opens this Thursday night, March 8th (details below the video): More Real Than Life, An Exhibition of Contemporary Collage.

Thursday, March 8: Opening
Artist Talk for Students and Staff: 12 p.m., Reception 11-1
Public Reception: 6-10 p.m. Artist Talk 7-7:30 p.m.
Light refreshments provided

Southwestern College is located at 900 Otay Lakes Road in Chula Vista, California. Gallery hours are Monday-Thursday, 9-5

Exhibiting Artists:

Sadie Barnette, Based in San Diego, CA.
Mike Calway-Fagen, Based in San Diego, CA.
Troy Dugas, Based in Lafayette, Louisiana.
Lola Dupre, Based in Avignon, France.
Chris Kardambikis, Based in San Diego, CA.
Gordon Magnin, Based in Los Angeles, CA.
Morgan Manduley, Based in San Diego, CA.
May-ling Martinez, Based in San Diego, CA.
Arturo Medrano, Based in New York City, NY.
Jason Sherry, Based in San Diego, CA.
Joshua Tonies, Based in San Diego, CA.

3 Comp Pans from Saturday Night

I have a soft spot for panoramic views and I took a few series of shots to create some the other night at La Jolla Cove. There are photo stitching programs out there to remove the harsh edges of comps and help unify the exposure and tone, but I really like the differences and choose not to use them, leaving things au naturale. Click on each to see the larger size.

Golden Tree at Dusk or Let in the Light

When the sun gracefully bends down in the sky to about here

the most beautiful thing happens off my balcony. Before I show you that, let me back up in time just a bit.

When we first moved into this little condo about a year ago, we were in the middle of some very stressful family things. We were distracted and heavy with Life and it was such a stroke of Universe (can I use “Universe” that way? Yes? Good.) that Joe’s aunts owned a place that was becoming available right when we needed it. It made the entire process of trying to find a place so much easier. We just slipped in quietly.

I remember when we walked through, checking out the closet space and shower, looking off the balcony and thinking, yes, this will work. The balcony faced the busy street, but was insulated by large and leafy mature trees. The sound was muffled. You could hardly see the cars whiz by. There were flower scents heavy in the air and hummingbirds flitting around. I thought, as long as there are these trees here, I can stay here. I enjoyed the shade and comfort of those trees every morning and every evening. They created a little nest for me. Quiet, solitary.

Fast forward through time, because we can, to late summer, early fall. Perhaps September? One morning I woke to the sound of a chainsaw. Looking out the window, I saw men in orange vests suspended above ground, deep into my trees, chopping off bits here and there and large branches right in the center of the best, fullest tree, the one I’d come to count on as a buffer to the world. I was devastated.

The next day, as I drank my coffee and glared at the empty spot where the branches used to be and where now nothing but a barren trunk stood, I wished we could move. Immediately. I hated the cars driving by. I hated the increased dust that flew up to the balcony and into the house. I felt betrayed. I spent a lot of time not looking out the balcony doors.

Fast forwarding through time again, somewhere in late November, I noticed some green bits had sprung from the trunk. They were tiny bits of things, nothing like their majestic predecessors, but there they were, all the same. Green and alive and making themselves known. I was begrudgingly impressed with their will to live, but very slow to warm up to them. And then dusk happened.

I sat with my cup of tea and couldn’t tear my eyes away. The honey dripping light blazed the bark to a glow that almost made me cry, but to be fair, I’ve always been a sucker for yellows and browns. The color turned dark amber, and then within seconds, was gone. I didn’t realize I’d been holding my breath.

The days were short and the Dusk Tree glow lasted for approximately 47 seconds every evening around 4:30. I couldn’t wait and found myself finding reasons to be hanging around the balcony, waiting to see the light show. I busied myself at dusting the cd cases or talking to the houseplants. My Prayer plant (Maranta leuconeura erythroneura) Gracie, (who has always refused to do what she’s supposed to do: pray), and I have historically found ourselves at odds when it comes to air temperature. She’s a picky little thing, wanting no breeze whatsoever, while I prefer a nice flow through the house. We had a lot to talk about.

One particular evening, as the sun dipped low to right above the ocean, Gracie shushed me quiet and began to fold her leaves, doing exactly the thing that her genera is meant to do. The tree outside glowed amber and Gracie, one by one, brought each leaf up and tucked it away. I was quiet, of course, and meditated in my own way.

Early the next morning, I crept out to watch Gracie unfold and welcome the sun. The tree outside was not just a Golden Dusk Tree, it was also a beautiful Back-lit Green Glowing Tree in the morning. I sat on the couch with my coffee and pointed out to Joe how beautiful the light was just then. Yes, he said. No more words were required. Although, at this point, he might argue that me pointing out how beautiful the light is every morning and every night might be more words than are necessary.

Here is a composite of “our” tree:

Alexandra, 21

You’ll find this shocking, but Alex used to be 13, 14, 15, then 16, and 18. Now she is a ripe, old 21, a junior in college and graduating early, dating a guy named Ryan, who we happen to love, and really coming into her own.